Any second now, it may or may not downpour on me. I never know here when it’s going to be 85 degrees and sunny (and the metro is going to be a box of sweaty French people who live on ham and cheese and have never heard of deodorant) or when it will be rainy and windy, causing my dress to billow up over my head Marilyn Monroe-style – this occurred pretty much non-stop yesterday. Thank god I had on cute underwear. I also have to add that the other night, my bright idea for a gelato run caught me in a hailstorm/flash flood. It was sort of scary but sort of fun! Fun aside from the imminent thread of being knocked out by a massive chunk of ice. I had my gelato as I waited under a taxi stand covering, so I was good to go.
I’m getting some much needed alone time this morning. I’m feeling a desperate desire for space from the group. Roommate and one of the girls down the hall are not enjoying Paris at all, and it’s driving me a bit mad. Every tiny thing that strays from American norms is a source of stress for them, from the language barrier to the food, and the negative attitude is annoying to say the least. And, neither of them coming from metropolitan areas, they complain constantly about the metro, the amount of walking, and the distanced, not-quite-warm attitude of a lot of the Parisians on the street. I, for one, love it! I don’t think we all need to be ecstatic about every nuance of the French lifestyle, but why did they spend thousands of dollars to come here if they want everything to be American? I’m sorry, it just baffles me! To sum up my point about all this, yesterday, over a lunch replete with flavors foreign to our American palettes, roommate goes, “Ugh, I can’t wait to go home to go to Cheesecake Factory.” I almost spit out my foie gras. Cheesecake Factory?!?! Eh?? She’s that girl who runs all over Paris in search of a Starbucks, passing a million quaint and charming cafes on the way. I let that one slide, but Cheesecake Factory? I enjoy my fat-man chain restaurants as much as the next person, but come on! I pretty much can’t speak when I’m around her because every word out of her mouth reflects an opinion that’s the diametrical opposite of my own. I wish you could see me – I sit there counting backwards in my head to restrain myself from expressing my frustration. It’s sort of funny actually, me being so taciturn ;)
Anyhoosie, this fun lunch was after seeing the Madeline Vionnet exhibit at Les Arts Decoratifs. A lot of people have never heard of her as her name is not well known outside of the fashion world, but learning about her was incredibly moving for me (partly due to the reverent and passionate way the museum curator spoke of her). She was from a very poor family in France, and began her apprenticeship as a seamstress at age 11. Just like a dancer trains her muscles form a young age, Vionnet learned from childhood how to use her hands expertly for the art of dressmaking. The story of how she worked like a slave throughout her lifetime to feed her love for the beauty of clothing touched me. She revolutionized women’s fashion with her use of the bias cut, and her dresses were handmade down to every detail – she wove her own fabrics (rather than going to a textile maker) and plucked out threads with a tweezer in order to create patterns in velvet (today there is a chemical to burn away the velvet to achieve this look).

She said about her work. “In truth, can one create easily? In my opinion, I think not, and I believe that the creative process is arduous and almost always thankless. A true creation is necessarily and naturally laborious: whoever creates must labor and suffer.” I admire Vionnet greatly for this simple idea of toiling endlessly for her passion for innovation and creation. Even through the present, there has never been such a talented and adroit couturier because of her shrewd techniques of sewing, draping, and working with fabrics so skillfully. I know this is cheesy, but I almost cried when the curator discussed Vionnet’s intellectual drive and curiosity for this art; for the desire to create and for the love of a woman’s natural beauty expressed through a beautifully made dress. Unfortunately, her career was brief due to having to close her atelier at the onset of WWII, but she lived a long life. In her old age, she said, “I am happy with what I have done. I’ve fulfilled myself completely.” To me, this is amazing.
I wanted to share how uplifting this learning experience has been for me. I feel like a different person, as if my advertising job was another lifetime. I know that what Vionnet says is true, that good work is never easy and must come from labor and some amount of suffering, but to do what one loves is… I don’t know, I can’t even explain it. This whole thing (the class, the learning, the fashion) is wonderful to me. I’m having a tough time with my persisted apathy and emptiness from my somewhat subconscious mourning for Kiran, waiting for my full range of emotion to return, but I can recognize in a detached sort of way that I am happy and that I am at peace in a way that I have not been in a very long time. I hope I can continue this work after the trip ends… it is home to me… finally :)
A tout a l’heure!
La Petite Babu



